Although there is no definitive biography of O'Casey, his own six-volume autobiography can be supplemented and corrected by several good studies: David Krause, Sean O'Casey: The Man and His Work (1960); Saros Cowasjee, Sean O'Casey: The Man behind the Plays (1963); and Jules Koslow, Sean O'Casey: The Man and His Plays (1966), an enlargement and revision of a work which appeared in 1950 as The Green and the Red. An extensive treatment of O'Casey's contribution to modern drama is found in Robert G. Hogan, The Experiments of Sean O'Casey (1960). Recommended for general background are Ernest A. Boyd, Ireland's Literary Renaissance (1916) and The Contemporary Drama of Ireland (1917); Dorothy Macardle, The Irish Republic (1937; first American ed. 1965); Lennox Robinson, Ireland's Abbey Theater: A History, 1899-1951 (1951); Estella R. Taylor, The Modern Irish Writers: Cross Currents of Criticism (1954); Herbert Howarth, The Irish Writers, 1880-1940 (1958); Vivian Mercier, The Irish Comic Tradition (1962); and Robin Skelton and David R. Clark, eds., The Irish Renaissance: A Gathering of Essays, Memoirs and Letters from the Massachusetts Review (1965).
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